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3xiqgxaumc8jkn8xmv4zdj2g3kt7xi
|
Young people can have problems with their minds.Some students become worried because they have to study very hard.Others have trouble getting on well with people like their parents and classmates. Liu Wei,a junior 2 student from Hefei,could not understand his teacher and was doing badly in his lessons.He became so worried about it that he started to cut his finger with a knife. Another student,14-year-old Yan Fang from Guangzhou,was afraid of exams.She got very worried when she looked at the exam paper.She couldn't think of anything to write. A recent report from Jiefang Daily says about 18% of Shanghai teenagers have mental problems.Their troubles include being worried and very unhappy.And they have problems in learning and getting on with people.Many students who have problems won't ask others for advice or help.Some think they will look stupid if they go to see a doctor.Others don't want to talk about their secret. Liang Yuezhu,an expert on teenagers from Beijing Anding Hospital has the following advice for teenagers: * Talk to your parents or teachers often * Take part in group activities and play sports * Go to see a doctor if you feel unhappy or unwell
|
what did he end up doing?
|
{
"answer_start": [
352
],
"text": [
"cut his finger"
]
}
|
3xiqgxaumc8jkn8xmv4zdj2g3kt7xi
|
Young people can have problems with their minds.Some students become worried because they have to study very hard.Others have trouble getting on well with people like their parents and classmates. Liu Wei,a junior 2 student from Hefei,could not understand his teacher and was doing badly in his lessons.He became so worried about it that he started to cut his finger with a knife. Another student,14-year-old Yan Fang from Guangzhou,was afraid of exams.She got very worried when she looked at the exam paper.She couldn't think of anything to write. A recent report from Jiefang Daily says about 18% of Shanghai teenagers have mental problems.Their troubles include being worried and very unhappy.And they have problems in learning and getting on with people.Many students who have problems won't ask others for advice or help.Some think they will look stupid if they go to see a doctor.Others don't want to talk about their secret. Liang Yuezhu,an expert on teenagers from Beijing Anding Hospital has the following advice for teenagers: * Talk to your parents or teachers often * Take part in group activities and play sports * Go to see a doctor if you feel unhappy or unwell
|
How old is Yan Fang?
|
{
"answer_start": [
397
],
"text": [
"14"
]
}
|
3xiqgxaumc8jkn8xmv4zdj2g3kt7xi
|
Young people can have problems with their minds.Some students become worried because they have to study very hard.Others have trouble getting on well with people like their parents and classmates. Liu Wei,a junior 2 student from Hefei,could not understand his teacher and was doing badly in his lessons.He became so worried about it that he started to cut his finger with a knife. Another student,14-year-old Yan Fang from Guangzhou,was afraid of exams.She got very worried when she looked at the exam paper.She couldn't think of anything to write. A recent report from Jiefang Daily says about 18% of Shanghai teenagers have mental problems.Their troubles include being worried and very unhappy.And they have problems in learning and getting on with people.Many students who have problems won't ask others for advice or help.Some think they will look stupid if they go to see a doctor.Others don't want to talk about their secret. Liang Yuezhu,an expert on teenagers from Beijing Anding Hospital has the following advice for teenagers: * Talk to your parents or teachers often * Take part in group activities and play sports * Go to see a doctor if you feel unhappy or unwell
|
Where from?
|
{
"answer_start": [
423
],
"text": [
"Guangzhou"
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
Who is remembered for the Godfather?
|
{
"answer_start": [
148
],
"text": [
"As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series."
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
What was his occupation?
|
{
"answer_start": [
0
],
"text": [
"There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work. "
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
What was met with fierce opposition?
|
{
"answer_start": [
249
],
"text": [
"His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses."
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
Did it work?
|
{
"answer_start": [
352
],
"text": [
"Good sense became popular, and The God Father went on to become one of the most memorable movies ever."
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
Does he continue to be creative?
|
{
"answer_start": [
455
],
"text": [
"Critics may point out that he has become less creative after his seventies"
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
Who is considered to be emotional?
|
{
"answer_start": [
1603
],
"text": [
"His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery"
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
Who directed ET?
|
{
"answer_start": [
1186
],
"text": [
"As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan,"
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
and Space Odyssey?
|
{
"answer_start": [
621
],
"text": [
"Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey."
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
What does he use in many of his movies?
|
{
"answer_start": [
707
],
"text": [
"He used symbolism in most of his movies"
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
Did his actors complain about him?
|
{
"answer_start": [
824
],
"text": [
"His actors in Hollywood complained about the endless number of retake"
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
why?
|
{
"answer_start": [
824
],
"text": [
"His actors in Hollywood complained about the endless number of retakes,"
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
but how did they feel at the end?
|
{
"answer_start": [
824
],
"text": [
"His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them"
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
Who does movies about crime?
|
{
"answer_start": [
1411
],
"text": [
"Woody Allen is a director who directs movies full of crime and hate. "
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
and what other types?
|
{
"answer_start": [
1411
],
"text": [
"Woody Allen is a director who directs movies full of crime and hate."
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
Has star power fazed him?
|
{
"answer_start": [
1758
],
"text": [
"Hollywood star power has never fazed Allen."
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
A clockwork orange was made by who?
|
{
"answer_start": [
957
],
"text": [
"eople argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics"
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
Does he do romantic comedies?
|
{
"answer_start": [
621
],
"text": [
"Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war."
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
The article states it will talk about how many directors?
|
{
"answer_start": [
0
],
"text": [
"There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work."
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
how many does it talk about?
|
{
"answer_start": [
148
],
"text": [
"As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work. \n\nStanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics. \n\nSteven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _ \n\nWoody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original."
]
}
|
3yt88d1n08yvz483l0mka8iy20x3k7
|
There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.
As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.
Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.
Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _
Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original.
|
Who does war movies?
|
{
"answer_start": [
621
],
"text": [
"Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war."
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
Who's the article about?
|
{
"answer_start": [
0
],
"text": [
"Adolf Hitler"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
What war did he initiate?
|
{
"answer_start": [
277
],
"text": [
"Hitler initiated World War II"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
Where was he born?
|
{
"answer_start": [
400
],
"text": [
"Hitler was born in Austria"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
On what date?
|
{
"answer_start": [
16
],
"text": [
"20 April 1889"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
What part was the place where he was born a part of then?
|
{
"answer_start": [
400
],
"text": [
"Hitler was born in Austria—then part of Austria-Hungary"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
Who raised him?
|
{
"answer_start": [
-1
],
"text": [
"unknown"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
Where was he raised?
|
{
"answer_start": [
460
],
"text": [
"was raised near Linz"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
When did he move to Germany?
|
{
"answer_start": [
482
],
"text": [
"He moved to Germany in 1913"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
What organization did he join in 1919?
|
{
"answer_start": [
583
],
"text": [
"n 1919, he joined the German Workers' Party (DAP)"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
Of what organization was that one a precursor?
|
{
"answer_start": [
634
],
"text": [
"the precursor of the NSDAP"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
What military branch did he serve in around that time?
|
{
"answer_start": [
550
],
"text": [
"the German Army in World War I"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
Was he in any war?
|
{
"answer_start": [
550
],
"text": [
"the German Army in World War I"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
Where did he try and take over in a failed coup?
|
{
"answer_start": [
709
],
"text": [
"In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
When?
|
{
"answer_start": [
709
],
"text": [
"In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
What was his punishment?
|
{
"answer_start": [
718
],
"text": [
"he attempted to seize power in a failed coup in Munich and was imprisoned"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
What did he do while locked up?
|
{
"answer_start": [
793
],
"text": [
"While in jail he dictated the first volume of his autobiography"
]
}
|
30zx6p7vf8vb3262zf83qjdth1n2ju
|
Adolf Hitler (; 20 April 1889 – 30 April 1945) was a German politician who was the leader of the Nazi Party ("Nationalsozialistische Deutsche Arbeiterpartei"; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
Hitler was born in Austria—then part of Austria-Hungary—and was raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I. In 1919, he joined the German Workers' Party (DAP), the precursor of the NSDAP, and was appointed leader of the NSDAP in 1921. In 1923, he attempted to seize power in a failed coup in Munich and was imprisoned. While in jail he dictated the first volume of his autobiography and political manifesto "Mein Kampf" ("My Struggle"). Released in 1924, Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.
By 1933, the Nazi Party was the largest elected party in the German Reichstag and led to Hitler's appointment as Chancellor on 30 January 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into Nazi Germany, a one-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. He aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the abrogation of restrictions imposed on Germany after World War I and the annexation of territories that were home to millions of ethnic Germans which gave him significant popular support.
|
When was it released?
|
{
"answer_start": [
911
],
"text": [
"Released in 1924"
]
}
|
3tayzsbpll8425psm9hhik4gc9n2sa
|
Jack had gone to the university to study history, but he kept playing all the time and at the end of his first year, his history professor failed him in his exams. He was so poor at his subject that he would have to leave the university. However, his father made up his mind that he would go to see the professor to ask him to let Jack go on his studies the next year. "He's a good boy," said the father, "and if you let him pass this time, I'm sure he'll improve a lot next year and pass the exam at the end of it really well." "No, no, that's quite impossible." said the professor at once, "Do you know, last month I asked him when Napoleon had died, and he didn't know!" "Please, sir, give him another chance." said Jack's father. "You see, I'm afraid we don't take any newspapers in our house, so none of us even know that Napoleon was ill."
|
What was Jack studying?
|
{
"answer_start": [
41
],
"text": [
"history"
]
}
|
3tayzsbpll8425psm9hhik4gc9n2sa
|
Jack had gone to the university to study history, but he kept playing all the time and at the end of his first year, his history professor failed him in his exams. He was so poor at his subject that he would have to leave the university. However, his father made up his mind that he would go to see the professor to ask him to let Jack go on his studies the next year. "He's a good boy," said the father, "and if you let him pass this time, I'm sure he'll improve a lot next year and pass the exam at the end of it really well." "No, no, that's quite impossible." said the professor at once, "Do you know, last month I asked him when Napoleon had died, and he didn't know!" "Please, sir, give him another chance." said Jack's father. "You see, I'm afraid we don't take any newspapers in our house, so none of us even know that Napoleon was ill."
|
Was he in high school?
|
{
"answer_start": [
21
],
"text": [
"university"
]
}
|
3tayzsbpll8425psm9hhik4gc9n2sa
|
Jack had gone to the university to study history, but he kept playing all the time and at the end of his first year, his history professor failed him in his exams. He was so poor at his subject that he would have to leave the university. However, his father made up his mind that he would go to see the professor to ask him to let Jack go on his studies the next year. "He's a good boy," said the father, "and if you let him pass this time, I'm sure he'll improve a lot next year and pass the exam at the end of it really well." "No, no, that's quite impossible." said the professor at once, "Do you know, last month I asked him when Napoleon had died, and he didn't know!" "Please, sir, give him another chance." said Jack's father. "You see, I'm afraid we don't take any newspapers in our house, so none of us even know that Napoleon was ill."
|
Where was he studying?
|
{
"answer_start": [
17
],
"text": [
"the university"
]
}
|
3tayzsbpll8425psm9hhik4gc9n2sa
|
Jack had gone to the university to study history, but he kept playing all the time and at the end of his first year, his history professor failed him in his exams. He was so poor at his subject that he would have to leave the university. However, his father made up his mind that he would go to see the professor to ask him to let Jack go on his studies the next year. "He's a good boy," said the father, "and if you let him pass this time, I'm sure he'll improve a lot next year and pass the exam at the end of it really well." "No, no, that's quite impossible." said the professor at once, "Do you know, last month I asked him when Napoleon had died, and he didn't know!" "Please, sir, give him another chance." said Jack's father. "You see, I'm afraid we don't take any newspapers in our house, so none of us even know that Napoleon was ill."
|
Did he pass his tests?
|
{
"answer_start": [
139
],
"text": [
"failed him in his exams"
]
}
|
3tayzsbpll8425psm9hhik4gc9n2sa
|
Jack had gone to the university to study history, but he kept playing all the time and at the end of his first year, his history professor failed him in his exams. He was so poor at his subject that he would have to leave the university. However, his father made up his mind that he would go to see the professor to ask him to let Jack go on his studies the next year. "He's a good boy," said the father, "and if you let him pass this time, I'm sure he'll improve a lot next year and pass the exam at the end of it really well." "No, no, that's quite impossible." said the professor at once, "Do you know, last month I asked him when Napoleon had died, and he didn't know!" "Please, sir, give him another chance." said Jack's father. "You see, I'm afraid we don't take any newspapers in our house, so none of us even know that Napoleon was ill."
|
Who decided to plead for Jack to be allowed to stay in school?
|
{
"answer_start": [
247
],
"text": [
"his father"
]
}
|
3tayzsbpll8425psm9hhik4gc9n2sa
|
Jack had gone to the university to study history, but he kept playing all the time and at the end of his first year, his history professor failed him in his exams. He was so poor at his subject that he would have to leave the university. However, his father made up his mind that he would go to see the professor to ask him to let Jack go on his studies the next year. "He's a good boy," said the father, "and if you let him pass this time, I'm sure he'll improve a lot next year and pass the exam at the end of it really well." "No, no, that's quite impossible." said the professor at once, "Do you know, last month I asked him when Napoleon had died, and he didn't know!" "Please, sir, give him another chance." said Jack's father. "You see, I'm afraid we don't take any newspapers in our house, so none of us even know that Napoleon was ill."
|
Did the professor agree to let him stay?
|
{
"answer_start": [
530
],
"text": [
"No, no, that's quite impossible"
]
}
|
3tayzsbpll8425psm9hhik4gc9n2sa
|
Jack had gone to the university to study history, but he kept playing all the time and at the end of his first year, his history professor failed him in his exams. He was so poor at his subject that he would have to leave the university. However, his father made up his mind that he would go to see the professor to ask him to let Jack go on his studies the next year. "He's a good boy," said the father, "and if you let him pass this time, I'm sure he'll improve a lot next year and pass the exam at the end of it really well." "No, no, that's quite impossible." said the professor at once, "Do you know, last month I asked him when Napoleon had died, and he didn't know!" "Please, sir, give him another chance." said Jack's father. "You see, I'm afraid we don't take any newspapers in our house, so none of us even know that Napoleon was ill."
|
Did the professor ask Jack a question?
|
{
"answer_start": [
617
],
"text": [
"I asked him when Napoleon had died"
]
}
|
3tayzsbpll8425psm9hhik4gc9n2sa
|
Jack had gone to the university to study history, but he kept playing all the time and at the end of his first year, his history professor failed him in his exams. He was so poor at his subject that he would have to leave the university. However, his father made up his mind that he would go to see the professor to ask him to let Jack go on his studies the next year. "He's a good boy," said the father, "and if you let him pass this time, I'm sure he'll improve a lot next year and pass the exam at the end of it really well." "No, no, that's quite impossible." said the professor at once, "Do you know, last month I asked him when Napoleon had died, and he didn't know!" "Please, sir, give him another chance." said Jack's father. "You see, I'm afraid we don't take any newspapers in our house, so none of us even know that Napoleon was ill."
|
What was it?
|
{
"answer_start": [
629
],
"text": [
"when Napoleon had died"
]
}
|
3tayzsbpll8425psm9hhik4gc9n2sa
|
Jack had gone to the university to study history, but he kept playing all the time and at the end of his first year, his history professor failed him in his exams. He was so poor at his subject that he would have to leave the university. However, his father made up his mind that he would go to see the professor to ask him to let Jack go on his studies the next year. "He's a good boy," said the father, "and if you let him pass this time, I'm sure he'll improve a lot next year and pass the exam at the end of it really well." "No, no, that's quite impossible." said the professor at once, "Do you know, last month I asked him when Napoleon had died, and he didn't know!" "Please, sir, give him another chance." said Jack's father. "You see, I'm afraid we don't take any newspapers in our house, so none of us even know that Napoleon was ill."
|
Did he know the answer?
|
{
"answer_start": [
657
],
"text": [
"he didn't know"
]
}
|
3tayzsbpll8425psm9hhik4gc9n2sa
|
Jack had gone to the university to study history, but he kept playing all the time and at the end of his first year, his history professor failed him in his exams. He was so poor at his subject that he would have to leave the university. However, his father made up his mind that he would go to see the professor to ask him to let Jack go on his studies the next year. "He's a good boy," said the father, "and if you let him pass this time, I'm sure he'll improve a lot next year and pass the exam at the end of it really well." "No, no, that's quite impossible." said the professor at once, "Do you know, last month I asked him when Napoleon had died, and he didn't know!" "Please, sir, give him another chance." said Jack's father. "You see, I'm afraid we don't take any newspapers in our house, so none of us even know that Napoleon was ill."
|
Why did Jack's dad say his son didn't know the answer?
|
{
"answer_start": [
755
],
"text": [
"we don't take any newspapers in our house"
]
}
|
3tayzsbpll8425psm9hhik4gc9n2sa
|
Jack had gone to the university to study history, but he kept playing all the time and at the end of his first year, his history professor failed him in his exams. He was so poor at his subject that he would have to leave the university. However, his father made up his mind that he would go to see the professor to ask him to let Jack go on his studies the next year. "He's a good boy," said the father, "and if you let him pass this time, I'm sure he'll improve a lot next year and pass the exam at the end of it really well." "No, no, that's quite impossible." said the professor at once, "Do you know, last month I asked him when Napoleon had died, and he didn't know!" "Please, sir, give him another chance." said Jack's father. "You see, I'm afraid we don't take any newspapers in our house, so none of us even know that Napoleon was ill."
|
What does Jack do instead of studying history?
|
{
"answer_start": [
62
],
"text": [
"playing all the time"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
How old was Welland?
|
{
"answer_start": [
621
],
"text": [
"Welland, (he was only eighteen)"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
How tall was his horse?
|
{
"answer_start": [
1284
],
"text": [
"Yes, it's pretty high--48 inches."
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
Who was he with?
|
{
"answer_start": [
1071
],
"text": [
"\"Isn't it a glorious day, Sam?\" said"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
Was Sam on a horse?
|
{
"answer_start": [
915
],
"text": [
"This chum was also mounted on a bicycle,"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
What was his ride?
|
{
"answer_start": [
915
],
"text": [
"This chum was also mounted on a bicycle"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
What was Sam also called?
|
{
"answer_start": [
991
],
"text": [
"Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
What was his real name?
|
{
"answer_start": [
991
],
"text": [
"Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
Did Stephen enjoy bikes?
|
{
"answer_start": [
383
],
"text": [
"Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
Did Sam say he wanted a long ride?
|
{
"answer_start": [
1382
],
"text": [
"\"Wherever you like,\" said Sam, \"only let it be a short run"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
How many miles did he want?
|
{
"answer_start": [
1442
],
"text": [
"not more than forty miles"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
What time of year was this?
|
{
"answer_start": [
589
],
"text": [
"early in the summer-time,"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
Was it night time?
|
{
"answer_start": [
576
],
"text": [
"One morning"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
What neighborhood were they in?
|
{
"answer_start": [
677
],
"text": [
"in the neighbourhood of Kensington"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
What city?
|
{
"answer_start": [
204
],
"text": [
"n the heart of London"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
Were there many people out?
|
{
"answer_start": [
748
],
"text": [
" through the crowded streets"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
Where did Sam need to go later?
|
{
"answer_start": [
1469
],
"text": [
"for I've got an appointment this afternoon with my old dad which I can't get off.\""
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
What was the country compared to?
|
{
"answer_start": [
99
],
"text": [
"turmoil of the city to the fresh air and quiet of the country"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
What kind of day did Sam say it was?
|
{
"answer_start": [
1158
],
"text": [
"\"Magnificent!\" answered his friend"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
What did Stephen say about the day?
|
{
"answer_start": [
1071
],
"text": [
"\"Isn't it a glorious day, Sam?\" said Welland"
]
}
|
30mvjzjnhmdm3mr1koni06l7n9vj95
|
CHAPTER SEVEN.
BICYCLING AND ITS OCCASIONAL RESULTS.
It is pleasant to turn from the smoke and turmoil of the city to the fresh air and quiet of the country.
To the man who spends most of his time in the heart of London, going into the country--even for a short distance--is like passing into the fields of Elysium. This was, at all events, the opinion of Stephen Welland; and Stephen must have been a good judge, for he tried the change frequently, being exceedingly fond of bicycling, and occasionally taking what he termed long spins on that remarkable instrument.
One morning, early in the summer-time, young Welland, (he was only eighteen), mounted his iron horse in the neighbourhood of Kensington, and glided away at a leisurely pace through the crowded streets. Arrived in the suburbs of London he got up steam, to use his own phrase, and went at a rapid pace until he met a "chum," by appointment. This chum was also mounted on a bicycle, and was none other than our friend Samuel Twitter, Junior--known at home as Sammy, and by his companions as Sam.
"Isn't it a glorious day, Sam?" said Welland as he rode up and sprang off his steed.
"Magnificent!" answered his friend, also dismounting and shaking hands. "Why, Stephen, what an enormous machine you ride!"
"Yes, it's pretty high--48 inches. My legs are long, you see. Well, where are we to run to-day?"
"Wherever you like," said Sam, "only let it be a short run, not more than forty miles, for I've got an appointment this afternoon with my old dad which I can't get off."
|
Was Stephen traveling slow?
|
{
"answer_start": [
716
],
"text": [
" glided away at a leisurely pace "
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Who was similar to a man who fell?
|
{
"answer_start": [
193
],
"text": [
" Newman"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Who did he write to?
|
{
"answer_start": [
480
],
"text": [
"Madame de Cintre"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Who was Valentin de Bellegarde's sister?
|
{
"answer_start": [
480
],
"text": [
"Madame de Cintre"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
What did the letter include?
|
{
"answer_start": [
513
],
"text": [
" the circumstances of her brother's death"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Anything else?
|
{
"answer_start": [
585
],
"text": [
"asking her what was the earliest moment at which he might hope that she would consent to see him"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Come for what?
|
{
"answer_start": [
671
],
"text": [
"to see him"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
When did Valentin die?
|
{
"answer_start": [
78
],
"text": [
"March"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Was it a tranquil death?
|
{
"answer_start": [
42
],
"text": [
"tranquilly"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Who was there?
|
{
"answer_start": [
139
],
"text": [
"friends"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Where did Newman go?
|
{
"answer_start": [
224
],
"text": [
"to Geneva"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
When?
|
{
"answer_start": [
175
],
"text": [
"An hour afterwards"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Who did he want to avoid?
|
{
"answer_start": [
294
],
"text": [
"Madame de Bellegarde and her first-born"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
What did Valentin need to get rid of?
|
{
"answer_start": [
794
],
"text": [
"personal property"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Where was he to be buried?
|
{
"answer_start": [
872
],
"text": [
"near his father"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Where?
|
{
"answer_start": [
890
],
"text": [
" the church-yard of Fleurieres"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
When did his sister say the burial would be?
|
{
"answer_start": [
1746
],
"text": [
"Friday"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Would seeing Newman be a delight for her?
|
{
"answer_start": [
1513
],
"text": [
"nothing but a distress"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
What did she say about it?
|
{
"answer_start": [
1492
],
"text": [
". To see you will be nothing but a distress to me"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
What did she say about brighter days?
|
{
"answer_start": [
1543
],
"text": [
"there is no need, therefore, to wait for what you call brighter days"
]
}
|
31qtrg6q2tdxqy27ndkiwj0a5gspy4
|
CHAPTER XX
Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circumstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friendship was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--
"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."
|
Should he notify her of his arrival?
|
{
"answer_start": [
1689
],
"text": [
"only notify me first."
]
}
|
31ibvunm9sz4vri84z1tdqickjufvo
|
CHAPTER XXVII
LOOKING FOR CLUES
Having sent their message to the Fords, the two cadets turned in the direction where the farmer had said the constable lived.
"I don't think old Plodders will be able to do a thing," said Jack. "He'll look wise and ask a lot of questions, and that's all."
A block had been covered when they saw the farmer and the constable approaching. On his breast Jed Plodders had pinned a bright, silver star, and he carried a policeman's club in his hand.
"There they are!" cried Isaac Fasick.
"Is them the cadets?" queried the guardian of the peace.
"That's two of 'em. The other two said they'd stay an' watch the house."
"Stop!" cried the constable, and pointed his club at the cadets.
"Are you Constable Plodders?" questioned Jack.
"That's who I be," was the stern reply. "Now then, out with it, young fellers. You broke into Mr. Ford's house, didn't you? Now, don't try to fool me, fer it won't wash! You broke into the house, and Mr. Fasick ketched you at it, didn't he?" And the constable cast what was meant for an eagle eye on Jack and then on Fred. He had made up his mind that he would surprise both of the boys into a confession.
The two cadets stared in wonder at the constable, and then a smile came into Jack's face. The situation was so ludicrous he felt like laughing. Jed Plodders saw the smile and frowned deeply.
"This ain't no laughing matter, you scamp!" he bellowed. "You broke into the Ford house an' tried to steal the silverware! Now don't try to deny it, or it will be the wuss fer you! You done it now, didn't you?" And he pointed his club at first one cadet and then the other.
|
Where the message get sent?
|
{
"answer_start": [
36
],
"text": [
"Having sent their message to the Fords"
]
}
|
31ibvunm9sz4vri84z1tdqickjufvo
|
CHAPTER XXVII
LOOKING FOR CLUES
Having sent their message to the Fords, the two cadets turned in the direction where the farmer had said the constable lived.
"I don't think old Plodders will be able to do a thing," said Jack. "He'll look wise and ask a lot of questions, and that's all."
A block had been covered when they saw the farmer and the constable approaching. On his breast Jed Plodders had pinned a bright, silver star, and he carried a policeman's club in his hand.
"There they are!" cried Isaac Fasick.
"Is them the cadets?" queried the guardian of the peace.
"That's two of 'em. The other two said they'd stay an' watch the house."
"Stop!" cried the constable, and pointed his club at the cadets.
"Are you Constable Plodders?" questioned Jack.
"That's who I be," was the stern reply. "Now then, out with it, young fellers. You broke into Mr. Ford's house, didn't you? Now, don't try to fool me, fer it won't wash! You broke into the house, and Mr. Fasick ketched you at it, didn't he?" And the constable cast what was meant for an eagle eye on Jack and then on Fred. He had made up his mind that he would surprise both of the boys into a confession.
The two cadets stared in wonder at the constable, and then a smile came into Jack's face. The situation was so ludicrous he felt like laughing. Jed Plodders saw the smile and frowned deeply.
"This ain't no laughing matter, you scamp!" he bellowed. "You broke into the Ford house an' tried to steal the silverware! Now don't try to deny it, or it will be the wuss fer you! You done it now, didn't you?" And he pointed his club at first one cadet and then the other.
|
Where are they going?
|
{
"answer_start": [
98
],
"text": [
"in the direction where the farmer had said the constable lived"
]
}
|
31ibvunm9sz4vri84z1tdqickjufvo
|
CHAPTER XXVII
LOOKING FOR CLUES
Having sent their message to the Fords, the two cadets turned in the direction where the farmer had said the constable lived.
"I don't think old Plodders will be able to do a thing," said Jack. "He'll look wise and ask a lot of questions, and that's all."
A block had been covered when they saw the farmer and the constable approaching. On his breast Jed Plodders had pinned a bright, silver star, and he carried a policeman's club in his hand.
"There they are!" cried Isaac Fasick.
"Is them the cadets?" queried the guardian of the peace.
"That's two of 'em. The other two said they'd stay an' watch the house."
"Stop!" cried the constable, and pointed his club at the cadets.
"Are you Constable Plodders?" questioned Jack.
"That's who I be," was the stern reply. "Now then, out with it, young fellers. You broke into Mr. Ford's house, didn't you? Now, don't try to fool me, fer it won't wash! You broke into the house, and Mr. Fasick ketched you at it, didn't he?" And the constable cast what was meant for an eagle eye on Jack and then on Fred. He had made up his mind that he would surprise both of the boys into a confession.
The two cadets stared in wonder at the constable, and then a smile came into Jack's face. The situation was so ludicrous he felt like laughing. Jed Plodders saw the smile and frowned deeply.
"This ain't no laughing matter, you scamp!" he bellowed. "You broke into the Ford house an' tried to steal the silverware! Now don't try to deny it, or it will be the wuss fer you! You done it now, didn't you?" And he pointed his club at first one cadet and then the other.
|
How far did they go before they found them?
|
{
"answer_start": [
296
],
"text": [
"A block had been covered when they saw the farmer and the constable approaching"
]
}
|
31ibvunm9sz4vri84z1tdqickjufvo
|
CHAPTER XXVII
LOOKING FOR CLUES
Having sent their message to the Fords, the two cadets turned in the direction where the farmer had said the constable lived.
"I don't think old Plodders will be able to do a thing," said Jack. "He'll look wise and ask a lot of questions, and that's all."
A block had been covered when they saw the farmer and the constable approaching. On his breast Jed Plodders had pinned a bright, silver star, and he carried a policeman's club in his hand.
"There they are!" cried Isaac Fasick.
"Is them the cadets?" queried the guardian of the peace.
"That's two of 'em. The other two said they'd stay an' watch the house."
"Stop!" cried the constable, and pointed his club at the cadets.
"Are you Constable Plodders?" questioned Jack.
"That's who I be," was the stern reply. "Now then, out with it, young fellers. You broke into Mr. Ford's house, didn't you? Now, don't try to fool me, fer it won't wash! You broke into the house, and Mr. Fasick ketched you at it, didn't he?" And the constable cast what was meant for an eagle eye on Jack and then on Fred. He had made up his mind that he would surprise both of the boys into a confession.
The two cadets stared in wonder at the constable, and then a smile came into Jack's face. The situation was so ludicrous he felt like laughing. Jed Plodders saw the smile and frowned deeply.
"This ain't no laughing matter, you scamp!" he bellowed. "You broke into the Ford house an' tried to steal the silverware! Now don't try to deny it, or it will be the wuss fer you! You done it now, didn't you?" And he pointed his club at first one cadet and then the other.
|
Who had dressed themself as police?
|
{
"answer_start": [
391
],
"text": [
"Jed Plodders had pinned a bright, silver star, and he carried a policeman's club in his hand"
]
}
|
31ibvunm9sz4vri84z1tdqickjufvo
|
CHAPTER XXVII
LOOKING FOR CLUES
Having sent their message to the Fords, the two cadets turned in the direction where the farmer had said the constable lived.
"I don't think old Plodders will be able to do a thing," said Jack. "He'll look wise and ask a lot of questions, and that's all."
A block had been covered when they saw the farmer and the constable approaching. On his breast Jed Plodders had pinned a bright, silver star, and he carried a policeman's club in his hand.
"There they are!" cried Isaac Fasick.
"Is them the cadets?" queried the guardian of the peace.
"That's two of 'em. The other two said they'd stay an' watch the house."
"Stop!" cried the constable, and pointed his club at the cadets.
"Are you Constable Plodders?" questioned Jack.
"That's who I be," was the stern reply. "Now then, out with it, young fellers. You broke into Mr. Ford's house, didn't you? Now, don't try to fool me, fer it won't wash! You broke into the house, and Mr. Fasick ketched you at it, didn't he?" And the constable cast what was meant for an eagle eye on Jack and then on Fred. He had made up his mind that he would surprise both of the boys into a confession.
The two cadets stared in wonder at the constable, and then a smile came into Jack's face. The situation was so ludicrous he felt like laughing. Jed Plodders saw the smile and frowned deeply.
"This ain't no laughing matter, you scamp!" he bellowed. "You broke into the Ford house an' tried to steal the silverware! Now don't try to deny it, or it will be the wuss fer you! You done it now, didn't you?" And he pointed his club at first one cadet and then the other.
|
Are they trying to get them to cease?
|
{
"answer_start": [
661
],
"text": [
"\"Stop!\" cried the constable, and pointed his club at the cadets."
]
}
|
31ibvunm9sz4vri84z1tdqickjufvo
|
CHAPTER XXVII
LOOKING FOR CLUES
Having sent their message to the Fords, the two cadets turned in the direction where the farmer had said the constable lived.
"I don't think old Plodders will be able to do a thing," said Jack. "He'll look wise and ask a lot of questions, and that's all."
A block had been covered when they saw the farmer and the constable approaching. On his breast Jed Plodders had pinned a bright, silver star, and he carried a policeman's club in his hand.
"There they are!" cried Isaac Fasick.
"Is them the cadets?" queried the guardian of the peace.
"That's two of 'em. The other two said they'd stay an' watch the house."
"Stop!" cried the constable, and pointed his club at the cadets.
"Are you Constable Plodders?" questioned Jack.
"That's who I be," was the stern reply. "Now then, out with it, young fellers. You broke into Mr. Ford's house, didn't you? Now, don't try to fool me, fer it won't wash! You broke into the house, and Mr. Fasick ketched you at it, didn't he?" And the constable cast what was meant for an eagle eye on Jack and then on Fred. He had made up his mind that he would surprise both of the boys into a confession.
The two cadets stared in wonder at the constable, and then a smile came into Jack's face. The situation was so ludicrous he felt like laughing. Jed Plodders saw the smile and frowned deeply.
"This ain't no laughing matter, you scamp!" he bellowed. "You broke into the Ford house an' tried to steal the silverware! Now don't try to deny it, or it will be the wuss fer you! You done it now, didn't you?" And he pointed his club at first one cadet and then the other.
|
What are they accusing them of?
|
{
"answer_start": [
856
],
"text": [
"You broke into Mr. Ford's house, didn't you?"
]
}
|
31ibvunm9sz4vri84z1tdqickjufvo
|
CHAPTER XXVII
LOOKING FOR CLUES
Having sent their message to the Fords, the two cadets turned in the direction where the farmer had said the constable lived.
"I don't think old Plodders will be able to do a thing," said Jack. "He'll look wise and ask a lot of questions, and that's all."
A block had been covered when they saw the farmer and the constable approaching. On his breast Jed Plodders had pinned a bright, silver star, and he carried a policeman's club in his hand.
"There they are!" cried Isaac Fasick.
"Is them the cadets?" queried the guardian of the peace.
"That's two of 'em. The other two said they'd stay an' watch the house."
"Stop!" cried the constable, and pointed his club at the cadets.
"Are you Constable Plodders?" questioned Jack.
"That's who I be," was the stern reply. "Now then, out with it, young fellers. You broke into Mr. Ford's house, didn't you? Now, don't try to fool me, fer it won't wash! You broke into the house, and Mr. Fasick ketched you at it, didn't he?" And the constable cast what was meant for an eagle eye on Jack and then on Fred. He had made up his mind that he would surprise both of the boys into a confession.
The two cadets stared in wonder at the constable, and then a smile came into Jack's face. The situation was so ludicrous he felt like laughing. Jed Plodders saw the smile and frowned deeply.
"This ain't no laughing matter, you scamp!" he bellowed. "You broke into the Ford house an' tried to steal the silverware! Now don't try to deny it, or it will be the wuss fer you! You done it now, didn't you?" And he pointed his club at first one cadet and then the other.
|
Who caught them?
|
{
"answer_start": [
977
],
"text": [
"Mr. Fasick ketched you"
]
}
|
31ibvunm9sz4vri84z1tdqickjufvo
|
CHAPTER XXVII
LOOKING FOR CLUES
Having sent their message to the Fords, the two cadets turned in the direction where the farmer had said the constable lived.
"I don't think old Plodders will be able to do a thing," said Jack. "He'll look wise and ask a lot of questions, and that's all."
A block had been covered when they saw the farmer and the constable approaching. On his breast Jed Plodders had pinned a bright, silver star, and he carried a policeman's club in his hand.
"There they are!" cried Isaac Fasick.
"Is them the cadets?" queried the guardian of the peace.
"That's two of 'em. The other two said they'd stay an' watch the house."
"Stop!" cried the constable, and pointed his club at the cadets.
"Are you Constable Plodders?" questioned Jack.
"That's who I be," was the stern reply. "Now then, out with it, young fellers. You broke into Mr. Ford's house, didn't you? Now, don't try to fool me, fer it won't wash! You broke into the house, and Mr. Fasick ketched you at it, didn't he?" And the constable cast what was meant for an eagle eye on Jack and then on Fred. He had made up his mind that he would surprise both of the boys into a confession.
The two cadets stared in wonder at the constable, and then a smile came into Jack's face. The situation was so ludicrous he felt like laughing. Jed Plodders saw the smile and frowned deeply.
"This ain't no laughing matter, you scamp!" he bellowed. "You broke into the Ford house an' tried to steal the silverware! Now don't try to deny it, or it will be the wuss fer you! You done it now, didn't you?" And he pointed his club at first one cadet and then the other.
|
Who was trying not to laugh?
|
{
"answer_start": [
1244
],
"text": [
"a smile came into Jack's face. The situation was so ludicrous he felt like laughing"
]
}
|
31ibvunm9sz4vri84z1tdqickjufvo
|
CHAPTER XXVII
LOOKING FOR CLUES
Having sent their message to the Fords, the two cadets turned in the direction where the farmer had said the constable lived.
"I don't think old Plodders will be able to do a thing," said Jack. "He'll look wise and ask a lot of questions, and that's all."
A block had been covered when they saw the farmer and the constable approaching. On his breast Jed Plodders had pinned a bright, silver star, and he carried a policeman's club in his hand.
"There they are!" cried Isaac Fasick.
"Is them the cadets?" queried the guardian of the peace.
"That's two of 'em. The other two said they'd stay an' watch the house."
"Stop!" cried the constable, and pointed his club at the cadets.
"Are you Constable Plodders?" questioned Jack.
"That's who I be," was the stern reply. "Now then, out with it, young fellers. You broke into Mr. Ford's house, didn't you? Now, don't try to fool me, fer it won't wash! You broke into the house, and Mr. Fasick ketched you at it, didn't he?" And the constable cast what was meant for an eagle eye on Jack and then on Fred. He had made up his mind that he would surprise both of the boys into a confession.
The two cadets stared in wonder at the constable, and then a smile came into Jack's face. The situation was so ludicrous he felt like laughing. Jed Plodders saw the smile and frowned deeply.
"This ain't no laughing matter, you scamp!" he bellowed. "You broke into the Ford house an' tried to steal the silverware! Now don't try to deny it, or it will be the wuss fer you! You done it now, didn't you?" And he pointed his club at first one cadet and then the other.
|
What did they attempt to take?
|
{
"answer_start": [
1436
],
"text": [
"You broke into the Ford house an' tried to steal the silverware!"
]
}
|
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